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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
The Horror at Red Hook
by H.P. Lovecraft
The Horror at Red Hook is a short story by H. P. Lovecraft. Written on August 1–2, 1925, it was first published in the January 1927 issue of Weird Tales (Vol. 9, No. 1, p. 73–94). It is based on the urban legend of the Red Hook, Brooklyn, New York, and tells the story of a New York City detective who encounters, and becomes involved in, a series of occult-related events.
be an art demanding credit. More people enter Red Hook than leave it--or at least, than leave it by the landward side--and those who are not loquacious are the likeliest to leave. Malone found in this state of things a faint stench of secrets more terrible than any of the sins denounced by citizens and bemoaned by priest and philanthropists. He was conscious, as one who united imagination with scientific knowledge, that modern people under lawless conditions tend uncannily to repeat the darkest instinctive patterns of primitive half-ape savagery in their daily life and ritual observances; and he had often viewed with an anthropologist's shudder the chanting, cursing processions of blear-eyed and pock-marked young men which wound their way along in the dark small hours of morning. One saw groups of these youths incessantly; sometimes in leering vigils on street corners, sometimes in doorways playing eerily on cheap instruments of music, sometimes in stupefied dozes or indecent dialogues around cafeteria tables near Borough Hall, and sometimes in whispering converse around dingy taxicabs drawn up at the high stoops of crumbling and closely shuttered old
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Virginia Woolf
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Fyodor Dostoyevsky
Crime and Punishment
August Strindberg
Inferno
Henry David Thoreau
Walden
William Shakespeare
Romeo and Juliet
Elizabeth Cleghorn Gaskell
Cranford
Mary Shelley
Frankenstein
Hjalmar Söderberg
Förvillelser
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
August Strindberg
Röda Rummet
Marcel Proust
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Emily Brontë
Wuthering Heights
Marcel Proust
Within a Budding Grove
Victoria Benedictsson
Modern
F. Scott Fitzgerald
The Great Gatsby
Franz Kafka
The Metamorphosis
Oscar Wilde
The Picture of Dorian GrayWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac